Lev Manovich’s The
Language of New Media explores what exactly is new media and why. In the first section of the chapter Manovich
explains how we typically define new media by how it is used – for distribution
and exhibition, but for some reason, production is left out of this definition. Specifically Manovich discusses digital
video, I assume versus analog, and editing on computer workstations rather than
reel-to-reel. She then went into the
four principals of how new media are identified: numerical representation,
modularity, automation, and variability.
They talked
about how our new media revolution is so much larger than the previous
ones. So even if defining new media was
simple when the term became popular, it is far more complex now, which makes it
so much more difficult to define and identify what constitutes “new media.”
My interest
was definitely peaked when they were discussing the different purposes of
computers and how what they are used for is sometimes a determining weather or
not they are considered new media, specifically when editing on computer
workstations was brought up. The cable
station were I work uses Avid editing systems, but people I know who used to
volunteer there were there when they were still using reel-to-reel editing, and
I always used to hear the “back when I started out….” stories. That whole transition has a bit of different
meaning to me now, because when I started going there, everything was still
done on tapes, and now I’m training our volunteers on cameras which all use SD
cards. I can now in a small way
understand how much easier I must have had it learning to edit, than my friends
even just seven or eight years before me, because I see how much easier SD
cards are compared to the tapes with very limited space and glitches in them
that we were using when I started out.
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